rivers into islands
Saturday, August 30, 2014
Arrow Does Not Strike
Every day arrows fly and appear to stick to events: what occurred yesterday—hit!, what to
eat—hit!, what time is it—hit!, what to wear—hit!, …
Sitting in za, arrow
flies forward, nothing to strike,
Breath, a thought and then another, a body sensation, but
nothing solid to strike, and nothing to do.
Anytime and all the time, it is like this; nothing solid for
arrow to hit.
Especially in za, there
is this landscape where this reality can be actualized and then perhaps carried
forward to flower into the everyday.
Thursday, August 21, 2014
One Thing
The Sixth
Patriarch once told the assembly, “ I have one thing. It has no name or written symbol. Nonetheless, do any of you understand or not?”
Zen Master
Shen-hui immediately stepped forward and said, “It is the original source of
all Buddhas; it is my own Buddha nature.”
This is the reason Shen-hui was not the Patriarch true heir.
When Zen master
Huai-jang came from Mt. Sung, the Sixth patriarch asked him, “What thing has
come here?” Huai-jang did not know
what to do. It was only eight
years later that he had the confidence to say, “If you say it is a thing [lit.
one thing], then you have already missed the point.” This is the reason Huai-jang was the Sixth Patriarch’s true
heir.
Sosan Taesa, from his
Handbook For Zen Students
What is this “one thing”?
What did Siddhartha
see that radically opened this “one thing”?
Not something
egotistic, esoteric, mystical—
Something simple, unhidden;
Then no birth, no
death;
How can this not be
something esoteric, mystical?
Again, what is seen
that radically opens this “one thing”?
Friday, August 15, 2014
Unhidden
“What is the teaching of the Buddha?”
“It is in front of your eyes.”
“If it’s in front of me, why can’t I see it?”
“Because you have you. So you cannot see.”
Mang
Gong, in Thousand Peaks
Sunday, August 10, 2014
A Certain Light
18x24, ink study,
2014
The mountains,
rivers, earth, grasses, trees, and forests, are always emanating a subtle,
precious light, day and night, always emanating a subtle, precious sound,
demonstrating and expounding to all people the unsurpassed ultimate truth.
It is just because you miss it right where you
are, or avoid it even as you face it, that you are unable to attain actual use
of it.
Yuansou, from
“Expedients and Reality,” in Thomas Cleary, Zen Essence
Not Attached Enough
Siddhartha described attachment to phenomena as the cause of
suffering. And so, the task would
appear to be one of letting go of attachments, ridding oneself of self-imposed
obstacles.
Siddhartha’s most revolutionary insight is that we are not
attached enough.
Our deepest suffering come from a sense of being an
individual self and missing our true nature.
The task is not one of soulwork or polishing clean an interior soul or self, but
rather waking to the already fully expressed ensoulment that is our true self.
Beings, mountains, rivers, weathers are empty of
themselves—impermanent—and so there is no final solidity upon which dust may
alight. And yet, events are empty of themselves because they are open and full of everything, and this
essence does not change.
While it can appear to be an esoteric or spiritist view,
Siddhartha’s insight was particularly revolutionary because it was a view of the
nature of reality in this moment in this place and not a transcendental.
Sky / Mind
High feathery cirrus
clouds pass by.
Majestic cumulus mountains pass by.
A low flat ashen veil
passes by.
A blue anvil thunder
cloud storms by.
Medium animal-shaped
clouds pass by.
But "The vast sky is not hindered by the floating clouds" [Sekito Kisen]
A cornucopia of
memories pass by.
Beautiful ideas pass
by.
A blue storm of anger
passes by.
Joy passes by.
An ashen veil of
sadness passes by.
But vast mind "is not hindered."
What Is This
Im oo ko.
What is this?
In the Genjokoan,
Dogen Zenji wrote:
Once firewood turns to ash, the ash cannot
turn back to being
firewood. Still, one should not take the view
that is ashes afterward
and firewood
before. One should realize that although firewood is a the
dharma-stage of
firewood, and that this is possessed of before and after,
the firewood is
beyond before and after.
…the
dharma-stage of firewood…is the whole universe. Only in the realm of the Whole is there before and after.
Thus each moment,
though absolutely distinct, is simultaneously the entire universe.
Dainan Katagiri, You
Have to Say Something.
Saturday, August 9, 2014
Whole World A Single Flower
Silently a flower
blooms,
In silence it
falls away;
Yet here now, at
this moment, at this place
the whole of
the flower, the whole of
the world is
blooming.
This is the talk
of the flower, the truth
of the blossom;
The glory of
eternal life is fully shining here.
Zenkei Shibayama, A Flower Does Not Talk
Fundamental Point
To study the buddha way is to study the self.
To study the self is to forget the self.
To forget the self is to be actualized by the myriad
things.
To be actualized by the myriad things, your body and mind
as
well as the body and mind of others drop away.
No trace of realization remains, and this no-trace
continues endlessly.
When you first seek dharma, you imagine you are far from
its environs.
But dharma is already correctly transmuted; you are
immediately your original self.
Dogen, “Genjo Koan,” Sections 4 & 5, [translation
from Moon In A Dewdrop]
Reaching this point, when you observe closely, even if
you use a thousand eyes you do not find a particle of anything that can be
called skin, flesh, bones or marrow; there is nothing to divide into mind,
cognition, and consciousness…. Therefore it has been said, “When you see, there
is not a single thing.”
Keizan,
Transmission Of Light
Star And Flower
THAT WHICH WAS SEEN in Siddhartha's morning star and in Mahakasyapa's observation of Siddhartha raising a flower...
not Shen Hsui's body as the Bodhi tree nor mind as a mirror to be endlessly polished so that dust cannot blemish it...
star, flower,
chirp, bark, a bell’s clang, a cough, the shush of breeze, a word—all song and bell
suddenly,
luminous
Paul Gauguin's From where do I originate? Why am I here? Where am I going?
star, flower,
chirp, bark, a bell’s clang, a cough, the shush of breeze, a word—all song and bell
suddenly,
luminous
Paul Gauguin's From where do I originate? Why am I here? Where am I going?
Thursday, August 7, 2014
Nine Adamantine Words
No mind, no abode, and here works the mind!
(Translation from Diamond Prajna Sutra by Zenkei Shibayama)
More than enough
Still...
More than enough
Still...
Another confirmation
in just one word:
Unborn
Bankei:
The essence of the
world is expressed as each event.
It neither comes nor
goes,
Is not created, is indestructible,
And never
deteriorates.
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